Poem of the Day – March 26
The eucalyptus leaves twitter against
The dull, flat sky. Is the sun’s absence
Punishable? The brain awakens more slowly
Than the muscles, the bones, the tissues
All twitching with energy pent up
In the inert but harrowing night, while the brain
Lumpen and inactive in the skull,
Sends rote signals here and there,
Without reflection. Random movements
Like the cat’s prowling through the labyrinths
Of back yards. Memory, knowledge, beauty,
Truth trapped on neural roads closed for repair.
It’s like the gray nest of wasps secluded in the eaves,
Light, sound, color, movement pokes it, keeps
Poking it until tractable thought comes pouring forth,
Buzzing, swarming, an angry chaos that erupts
Into the murmur of imagination, into speech, into
The reckoning that carries the bones and tissues
And organs into the tunnels and passages
Of another gray and bewildering day.
© Dennis Hathaway
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rDay Fourteen-Hundred-Sixty-One, Continued
rDay Fourteen-Hundred-Sixty-One
Poem of the Day – March 25
I wish to be loved and admired,
And yet know that I am not.
I appear cold, indifferent, hostile even.
Now and then an acquaintance will say
Did someone die? And I will say,
What are you talking about?
Even though I know the answer.
Or I will smear my face with an
Idiot’s grin and flap my tongue,
Seeking what I most fervently crave–
To be left alone.
Sometimes that works,
And sometimes it doesn’t.
Meddlers don’t easily give up,
Appointing themselves to rescue
Others from solitude, that state
Of egocentric bliss, a place beyond
The shifting contours of expression,
Where the things they think they see,
Cannot be seen,
Where the things they think they know,
Cannot be known,
Where laughter and song cannot be shared,
With the hard, uncaring world.
© Dennis Hathaway
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Herman in Viet Nam 4
rDay Fourteen-Hundred-Sixty
Poem of the Day – March 24
There was no collusion, they say,
And what does it mean, exactly?
That there was no praise of bigots,
No fawning over murderous dictators,
No contempt for the weak, the helpless,
No violent bending of the truth?
There was no collusion, they say.
As children search for lost parents,
As bombs fall like summer rain,
As mothers weep and fathers
Wander bewildered in a world
Scrubbed clean of empathy and kindness
A world of avarice and cruelty
Celebrated in song and image,
A world burning up and drowning,
A world to enter only at your peril.
© Dennis Hathaway
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Elijah, Airborne
Photo by Kim (After Edvard Munch: “The Scream”)

Today Kim unleashed her smartphone to document some dental work performed on my own teeth Friday, just something to send on to the kids. And here is her photo (which I converted to grayscale, as is my wont):

The nod to Munch’s legendary 1893 painting was not entirely accidental, as I had been thinking about it since when just a few days ago, photographer and friend from the distant past, Jim Friedman [1] [2] [3], had sent me on Monday this Instagram piece (attributed to one Jerry Saltz):
No more than three days later, I ran across this report, seeming to debunk some of the conventional wisdom about “The Scream”. And passed it on to Jim. If you want to read a “typical” backgrounder of the kind that we have seen over the years, before this recent revelation, try this.
































