Poem of the Day – March 26

The eucalyptus leaves twitter against

The dull, flat sky. Is the sun’s absence

Punishable? The brain awakens more slowly

Than the muscles, the bones, the tissues

All twitching with energy pent up

In the inert but harrowing night, while the brain

Lumpen and inactive in the skull,

Sends rote signals here and there,

Without reflection. Random movements

Like the cat’s prowling through the labyrinths

Of back yards. Memory, knowledge, beauty,

Truth trapped on neural roads closed for repair.

It’s like the gray nest of wasps secluded in the eaves,

Light, sound, color, movement pokes it, keeps

Poking it until tractable thought comes pouring forth,

Buzzing, swarming, an angry chaos that erupts

Into the murmur of imagination, into speech, into

The reckoning that carries the bones and tissues

And organs into the tunnels and passages

Of another gray and bewildering day.

 

 © Dennis Hathaway

 

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Poem of the Day – March 25

I wish to be loved and admired,

And yet know that I am not.

I appear cold, indifferent, hostile even.

Now and then an acquaintance will say

Did someone die? And I will say,

What are you talking about?

Even though I know the answer.

Or I will smear my face with an

Idiot’s grin and flap my tongue,

Seeking what I most fervently crave–

To be left alone.

 

Sometimes that works,

And sometimes it doesn’t.

Meddlers don’t easily give up,

Appointing themselves to rescue

Others from solitude, that state

Of egocentric bliss, a place beyond

The shifting contours of expression,

Where the things they think they see,

Cannot be seen,

Where the things they think they know,

Cannot be known,

Where laughter and song cannot be shared,

With the hard, uncaring world.

 

 © Dennis Hathaway

 

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Poem of the Day – March 24

There was no collusion, they say,

And what does it mean, exactly?

That there was no praise of bigots,

No fawning over murderous dictators,

No contempt for the weak, the helpless,

No violent bending of the truth?

 

There was no collusion, they say.

As children search for lost parents,

As bombs fall like summer rain,

As mothers weep and fathers

Wander bewildered in a world

Scrubbed clean of empathy and kindness

A world of avarice and cruelty

Celebrated in song and image,

A world burning up and drowning,

A world to enter only at your peril.

 

 © Dennis Hathaway

 

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Photo by Kim (After Edvard Munch: “The Scream”)

Edvard Munch, “The Scream”, 1893

Today Kim unleashed her smartphone to document some dental work performed on my own teeth Friday, just something to send on to the kids.  And here is her photo (which I converted to grayscale, as is my wont):

(photo by KAE)

The nod to Munch’s legendary 1893 painting was not entirely accidental, as I had been thinking about it since when just a few days ago, photographer and friend from the distant past, Jim Friedman [1] [2] [3], had sent me on Monday this Instagram piece (attributed to one Jerry Saltz):

No more than three days later, I ran across this report, seeming to debunk some of the conventional wisdom about “The Scream”.  And passed it on to Jim.  If you want to read a “typical” backgrounder of the kind that we have seen over the years, before this recent revelation, try this.

Herman in Viet Nam 3

Herman visits the War Museum in Ho Chi Minh City (aka Saigon).  Among his comments: “… One section shows how since the war,  Viet Nam and the US have become trading partners. We are treated well here, and people are friendly and very helpful. This city reminds us in many ways of Mexico City…”