Nature Journal’s COVID-19 Modeling Forecasts

Nature, first published in 1869, describes itself as “a weekly international journal publishing the finest peer-reviewed research in all fields of science and technology on the basis of its originality, importance, interdisciplinary interest, timeliness, accessibility, elegance and surprising conclusions.”

Its Nature Medicine article published yesterday, October 23, 2020, entitled “Modeling COVID-19 scenarios for the United States” presents a fascinating and sobering (and perhaps somewhat terrifying) forecast.  The idea was to explore the potential outcomes from differing levels of social distancing and mask usage. The article is lengthy and demands close attention to its rigorous scientific detail and presentation (and I haven’t finished the whole thing, even after studying it for over two hours), but an overall conclusion states, in part:

“Projections of current non-pharmaceutical intervention strategies by state—with social distancing mandates reinstated when a threshold of 8 deaths per million population is exceeded (reference scenario)—suggest that, cumulatively, 511,373 (469,578–578,347) lives could be lost to COVID-19 across the United States by 28 February 2021. We find that achieving universal mask use (95% mask use in public) could be sufficient to ameliorate the worst effects of epidemic resurgences in many states. Universal mask use could save an additional 129,574 (85,284–170,867) lives from September 22, 2020 through the end of February 2021, or an additional 95,814 (60,731–133,077) lives assuming a lesser adoption of mask wearing (85%), when compared to the reference scenario.”

Wear your masks, people.

Update – 9:43pm: I see that Twitter is talking about this report.

American Utopia, About As Good As It Gets

One of the best things I’ve watched for a long, long time (since maybe Stop Making Sense, which niece Gabrielle and I saw in L.A. in 1984) was American Utopia, recently premiered on HBO. Written and performed by David Byrne (with 11 other high-energy dancers and musicians), filmed and directed by Spike Lee, choreographed by Annie B. Parson.  Something I was ready to see again as soon as it had ended.  Here’s the trailer:

And a few words from Spike (now in his early 60s) and David (now in his late 60s):

After watching, I had to learn more and tracked down some reviews: NPRNYTVanity FairRogerEbert

CAUTION: Not everybody likes this thing. For example, I think Bob Lefsetz, the critic whose daily newsletter I read regularly (probably more for his take on politics and culture, rather than music), almost hates it, contending that it is “barely watchable”.

For some documentia I made during my viewing, see HHR.